Something happens when Badflower singer and guitarist Josh Katz steps up to the microphone. His primal, powerful, and passionate transformation is the most unmitigated kind of catharsis fueled by emotion and unfiltered intensity…
“The superhero version of myself comes out in the songs,” he affirms. “When I’m writing or performing, I go to this place that reflects the most emotional point I’ve hit at the moment. A lot of what’s being written is anger, lust, heartbreak, and all of that. Becoming an artist, I flip into this character I can’t shake or get rid of. I embrace it and keep writing in that direction.”
This approach stands out as Badflower’s calling card. It’s also a big reason why the group quietly became one of L.A.’s most buzzed-about rock ‘n’ roll bands. Since their emergence in 2014, the band—Josh, Joe Morrow [lead guitar, backing vocals], Alex Espiritu [bass], and Anthony Sonetti [drums]—has shared stages with the likes of KONGOS and The Veronicas, earned acclaim from OC Weekly, Loudwire, and more, and achieved a two-week run at #1 on KROQ’s Locals Only Show with “Heroin.” During 2016, fashion icon John Varvatos personally signed the band to John Varvatos Records. Little did he know, they had a big surprise up their sleeves.
“We actually had already started making a record without telling anybody,” smiles Josh. “After the deal was done, we were like, ‘How about this?’”
The boys cut the 2016 Temper EP [John Varvatos Records/Republic Records] in the garage of the Thousand Oaks, CA home which they share. Recorded during a blazing hot California summer, the sessions got so intense that their MacBook Pro often needed to cool down in the freezer. Wielding that energy, the music taps into a gritty and grunge-y gutter rock spirit complemented by jarring theatrical delivery and unshakable riffing, equally informed by Led Zeppelin and nineties Seattle as it is by film composers such as James Horner.
The first single “Animal” struts along on a distorted guitar shuffle before pouncing claws out on a refrain deifying a voracious femme fatale.
“It’s about an abusive relationship,” he explains. “I’m describing this girl as a predator type of animal and myself as the victim. Most people play that victim role. They don’t like to be accountable for the terrible things happening in their lives. It’s about being stuck in that place. You have the power to get out of it, but you are content there.”
Following the EP’s theme of unmitigated anger unleashed, “Drop Dead” hones in on the dynamic of a toxic relationship, while “Heroin” succumbs to its spell admitting, “She burns like heroin.”
In the end, Badflower’s ride remains raucous, raw, and real. “Music is all about emotions,” he leaves off. “This EP is very dark and temperamental. That’s what I put across. So that’s what I want people to feel.”